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Teapots X call for submissions with illustration of work by Mike JabburSince January 2022, Mike Jabbur’s work has been included in five group invitational exhibitions including the at the Gumtree Museum of Art (in conjunction with the Mississippi Clay Conference, Tupelo, MS), both the and Winter Exhibition at Northern Clay Center (Minneapolis, MN), Pour at , and .  While on sabbatical, Jabbur will jury the international exhibition Teapots X at and make new work for five exhibitions including a solo show at Schaller Gallery, both a solo Artist Feature and the group exhibition Winter Open House at , the Clay Holiday Market at Clay Art Center (Port Chester, NY), and the Gallery Expo, represented by Baltimore Clayworks, in conjunction with the .

Xin Conan-Wu presented two papers at major conferences: “Carved in Stone, Imprinted on Land: The Stuck in the Middle? The Third Middle Period China Humanities Conference, Yale UniversityLandscape of Three Mounts of Jingkou” at ; and “Seeing Mount Lu: On an Ontological Shift in the Chinese Gaze” at . She is also completing the publication of her third monograph in English (expected in 2024), Lure of the Supreme Joy: Pedagogy and Environment in the Neo-Confucian Academies of Zhu Xi, in Brill's renowned book series .

Nikki Santiago, Caregiver, 2019, 19 x 12 1/2 in., oil on panelNikki Santiago remained busy over the last year, exhibiting in two solo and five group exhibitions. Of note were a well-received solo show at Atheneum Gallery in Alexandra, VA, and the Bethesda Painting Awards in Bethesda, MD, where Santiago was awarded first prize. Both exhibitions received reviews in the Washington Post. For reviews of the exhibition, see , and .

Elizabeth Moran presented a lecture on "The Geography of Sacred Memory”: Landscapes and Histories in Afro-Caribbean Art, at . She also gave a talk on "Marking Time and Space: Sacred Landscapes in Afro-Caribbean Art" at 91心頭利 as part of the Latin American Studies Symposium.  In June 2023, she participated in the .

Jayson Lowery took 2nd place in the Artists Who Teach 2023 exhibit at the Jayson Lowery, Broken Bond, 2023, limestone and steel, 20 x 7 x 4.5 in. in Hampton, Virginia, over the summer for his sculpture Broken Bond.

Sibel Zandi-Sayek co-organized and chaired a panel, “Development Zones at Home and Abroad, 1800-Present,” at the . She also served as discussant for the ’s Society of Architectural Historians Annual Conference, Montreal, 2023inaugural Yavuz Sezer Article Prize in the History of Architecture and the Urban Environment. This fall, Professor Zandi-Sayek is teaching a new course, Architecture and Spatial Justice, that explores the roots, diverse working methods, and philosophies of contemporary socially engaged architecture.  

Brian Kreydatus had a solo exhibition “Homebodies” at the Virginia Museum of Contemporary Art Brian Kreydatus, Gabriel on her 15th birthday, oil on linen, 26 x 20 in.(Virginia Beach, VA) in 2022 and a solo exhibition opening this month.

Catherine Levesque has been very busy producing new publications. In addition to completing a book on Jacob van Ruisdael's Ecological Landscapes (to be published by ), she is develping article manuscripts on "Love and Wisdom at the Bâtie d’Urfé" as well as "Roelandt Savery and the Culture of Mining."

Elizabeth Mead continued working this summer on two long-term projects in France and England. Her work was exhibited in several exhibitions in New York and along the east coast as well as in Berlin and London. She was invited to give the Fine Arts Visiting Lecture titled "Peripheral Moments" at The in Philadelphia.

John Lee, Quiet Zoo, 2022, oil on linen, 36 x 38 in.John Lee had a painting juried into 's Annual Summer Exhibition, June 26 to July 8, at Hampstead Heath, London, U.K. He also had a solo show at in Cincinnati Ohio (August 18th to September 15th), and his work is featured in a two person show, "," with Nicole Santiago at Emory & Henry College in Emory, Virginia.

In March, Alan C. Braddock published a new book titled as part of Yale University Press's new Art & Architecture ePortal initiative, a digital resource that makes academic research more accessible and environmentally sustainable. He also gave a lecture on Alan C. Braddock, Implication: An Ecocritical Dictionary for Art History (Yale University Press, 2023)“Imagining Personhood: On Building a History of Nonhuman Portraiture in Art” at the , Eastern Kentucky University, March 11, 2023. In November, he will co-chair a panel “On the Slaughter Sublime: Species and the Limits of Solidarity,” .